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The RateItAll Book List contains user-created lists of their personal favorite books, as well as other categories and rankings for books. Check here for interesting and debatable lists of books.

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24 days ago

A savage little tale of gunmen, betrayal, deceit and violence, told with Hammett's gritty realism in full flight. One of his very best, combining his strong sense of narrative, his grimly witty dialogue and his eye for human frailty. Told through the largely amoral eye of the Continental Op, its an excellent read.

"A curtain whipped loose in the rain.
Out of the opening came pale fire-streaks. The bitter voice of a small-caliber pistol. Seven times.
The Whosis Kid's wet hat floated off his head--a slow balloon-like rising.
There was nothing slow about the Kid's moving.
Plunging, in a twisting swirl of coat-skirts, he flung into a shop vestibule.
The Cadillac reached the next corner, made a dizzy sliding turn, and was gone up Franklin Street. I pointed the coupe at it."


"'I do not know what to think,' he said slowly. 'If I have been wrong--I must find the Kid first. Then I will learn the truth.'
"You don't have to look no further, brother. I'm right among you!'
The Whosis Kid stood in the passageway door. A black revolver was in each of his hands. Their hammers were up."

"I didn't think it was exactly genteel of the Kid to frisk her, but there were several reasons why I didn't try to stop him. First I didn't want to do anything to delay the unearthing of this 'stuff' there had been so much talk about. Second, I'm no Galahad. This woman had picked her playmates and was largely responsible for this angle of their game. If they played rough, she'd have to make the best of it."
votes 4 Helpful / 0 Funny / 0 Agree / 0 Disagree

25 days ago

This is the sequel to the Big Knockover, and its best to read them back to back as one long story to get the full value of Hammett's muscular narrative. This story involves the attempt to capture the primary plotters of the daring robbery in the Big Knockover, and is full of betrayal, subtlety and Hammett's incisive view of human corruption.

It is also one of the stories where the amoral character of the protagonist (the Continental Op) is most evident. As in the brilliant novel Red Wind, he is willing to commit a certain amount of crime, and arrange a certain amount of proxy murder if it achieves the required end.

To a large degree, this is one of Hammett's primary contributions to the literature of crime. He took murder away from set piece puzzles with effete people talking politely to each other, and put it in a less fragrant and far less pleasant, but far more real word. It is Hammett and his successors like Chandler, Thompson, MacDonald, Ellroy and a few others who saved the genre from irrelevance, and in most cases stepped outside of its simple conventions to say something valuable.
votes 4 Helpful / 0 Funny / 0 Agree / 0 Disagree

25 days ago

A strong story, although not in the top tier of Hammett's canon. It features some of the best of Hammett's dialogue, however, as witness the following:

"'This Creda Dexter,' I suggested, 'was marrying Gantvoort for his money, wasn't she? You don't think she was in love with him, do you?'
'No, I figure, from what I saw of her, that she was in love with the million and a half.'
'All right,' I went on. ' Now she isn't exactly homely--not by a long shot. Do you reckon Gantvoort was the only man who ever fell for her?'"
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

25 days ago

Probably my least favorite of Hammett's short work, this is an attempt to take his normal hard boiled urban detective, the Continental Op, and transplant him into a western milieu. It doesn't work. It has a number of standard western story cliche's (the rube given a mean horse to ride, the slim, slow talking, fast shooting youth, the cantankerous cook, the slick gambler and the menacing Mexican bandit) but they seem tacked together and without Hammett's usual flair for narrative. His dialogue seems a little lacking too, without the normal earthy punch that his readers expect.
votes 3 Helpful / 0 Funny / 0 Agree / 0 Disagree

25 days ago

One of Hammett's best, an intriguing tale of murder, suicide, blackmail, revenge, decadence and deceit that packs more complexity into its thirty some pages than most novels, yet without seeming idiotically contrived.

Hammett's muscular prose is excellent here:

"A small room, packed and tangled with bodies. Live bodies, seething, writhing. The room was a funnel into which men and women had been poured. They boiled noisily toward the one small window that was the funnel's outlet. Men and women, youths and girls, screaming, struggling, squirming, fighting. Some had no clothes.

'We'll get through and block the window!' Pat yelled in my ear.

'Like Hell--' I began, but he was gone ahead of me into the confusion."
votes 4 Helpful / 0 Funny / 0 Agree / 0 Disagree

27 days ago

An offbeat and not altogether successful Continental Op story set in a mythical Balkan kingdom. The protagonist has arrived in search of a wayward heir, and finds himself entangled in a revolution. The characters are more cardboard than the norm for Hammett and the thing has a comic opera feel, despite its hard-boiled overtones. Interesting, but not a big favorite of mine.
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

68 days ago

You can read about achieving happiness all you want but true happiness comes from inside of each of us. So while those read what its like to be happy I am happy.
votes 1 Helpful / 0 Funny / 1 Agree / 0 Disagree

85 days ago

A rambunctious adventure set on a island enclave for the wealthy, this is among the best known of Hammett's short fiction and is tremendous fun. The plot involves widespread gunplay and violence, and the narrative contains a good deal of humor and some sharp and pungent dialogue. An excellent read.
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

93 days ago

The sequel to "The House on Turk Street" is a much grimmer story and in many ways a better one. Essentially the plot involves the pursuit and capture of the sole remaining gang member from the first story. (A device Hammett also used in the duet stories of "The Big Knockover" and "$106,000 Blood Money)

Hammett's eye is very cynical and very observant here, and this is among the best of his stories, particularly with his ability to delineate a character in a couple of sentences.
votes 1 Helpful / 0 Funny / 0 Agree / 0 Disagree

93 days ago

This and "The Girl with Silver Eyes" are effectively one long story in the same way that "The Big Knockover" and "$106,000 Blood Money" are.

This, the first part deals with the Continental Op character blundering into a major crime while out investigating something entirely different and quite minor. He finds himself the captive of an unlikely gang consisting of an elderly couple, a frivolous young woman, a hard case thug, and a highly educated Chinese. Mostly through their own distrust of each other, he manages to disrupt their plans, leaving all but one of them dead or captured by the stories end, and only at that time, does he fully understand what he has found.

It's a witty, at times funny story, with Hammett's pithy observational powers at their best.
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

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