This was a well written, excellently acted, and brilliantly filmed series which aired in 1996, but the pinheads on CBS underestimated the audience and messed things up much the same way Firefly was messed up (episodes shown sparsely, and out of order - in fact they aired just about the same number of episodes as Firefly). It takes place in a decaying fictional city across the river from Canada (think Detroit) and takes a multi-layered noir approach to television crime drama, with very blurred distinctions between good and evil. You've got a brooding cop played by Ken Olin perpetually trying to solve the mystery of his partner's death. Joe Pantoliano plays his likable criminal adversary who weaves a dance through dark comic relief, genuine brotherly loyalty, and creepy malevolence. Caught in the middle is a morally conflicted ex-felon trying to find some footing on some very slippery ground. Their stories are backed by a very strong supporting cast with numerous fascinating characters. Like Firefly, anytime the story seems to drift towards anything remotely cliche, you're yanked onto new terrain with a backdrop of barren subject photography of neighborhoods in disrepair and a Celtic music score which includes artists like Loreena McKennitt to let you know that a streak of romance laces an atmosphere of despair. It was too far ahead of its time.