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Loerke
member since 12/09/2006
I'm a guy
About me: "... there was in Loerke the rock-bottom of all life. Everybody else had their illusion, must have their illusion, their before and after. But he, with a perfect stoicism, did without any before and after, dispensed with all illusion. He did not deceive himself in the last issue. In the last issue he cared about nothing, he was troubled about nothing, he made not the slightest attempt to be at one with anything. He existed a pure, unconnected will, stoical and momentaneous. There was only his work." -D.H. Lawrence, WOMEN IN LOVE
User Votes: 3510 Helpful / 239 Funny / 393 Agree / 22 Disagree
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Activity for Loerke

yesterday

Boston is a very, very complicated city, as Oscar said. For a place that is central to the development of American culture, it's geographically peripheral and remote -- I can't tell you how many New Yorkers I've met who have never been to Boston and don't see much of a reason ever to do so. There's some egotism but it's mostly of a provincial, defensive, and neurotic kind that you would never find in New York. Some multigenerational residents tend to believe that they live in the "Hub of the Universe" (the most arrogant moniker for a city I could imagine) but they're also extremely articulate in making their case.

I admire the fact that people seem to value education, especially the ability to speak, over just about anything else, including the ability to earn money. "Old money/old family" Massachusetts gets away with way too much -- e.g. the Kennedys -- but the flip side is that not many people kowtow to new millionaires. Rents are (unjustifiably) the second or third highest in America because the old money doesn't budge and it lives off gouging college students. Tradition and classicism rules the day, which explains the fact that the music is stuck in the '80s. Bostonians' wonderful way with words makes the bars really interesting. Union guys get into some cerebral discussions over a few pints, and then get up and brawl with Yankees fans. There's a definite sense of group identity out here which extends to class and race, as well as a lot of clubs based on random childhood obsessions like cupcakes and kickball. A fog of white-bread innocence covers most of New England.

As an outsider who will probably be living here for a long time due to a job, it can be hard to understand the complexity of the collective life, let alone break into it. The college students don't need to try -- they'll be leaving after four years so this is their time to enjoy each other rather than the city. I'm kicking myself for not having gone to college here -- during the school year, pretty college women are all over the streets and it feels like a nonstop party. Because the rate of violent crime out here is very low (much better than anything in California) you can usually feel safe walking the streets at night.

With so many of the streets originally being designed for horses or cows, driving is horrible; they're narrow and scary. Even after the biggest public works project in history, the city needs a lot more renovations, especially to the public transportation, which can be amazing (SF Muni could learn something from it) but can also feel like a false promise if you're waiting for the Green or Orange lines. The weather is pretty bad (June this year was four weeks of cloudy weather with barely any sun) but then again few places in the U.S. outside California have perfect weather, and it's actually on the moderate side compared to the wild swings you find in the Midwest.

In short, a complicated place.
votes 3 Helpful / 0 Funny / 1 Agree / 0 Disagree

10 days ago

Moi aussi, s'il-vous plait.

10 days ago

Good point, irishgit, about how our puritan climate continues to make these transgressions more important than they should be. You're right that our uptight sexual standards probably led Sanford to lose his head over something that doesn't matter that much.

Agreed, CanadaSucks -- in the French version of RIA, we'd all need some extra candy on our arm to be taken seriously as reviewers. (sigh)

10 days ago

Come on, everybody, we all want to find out the answers to two questions:

-Who is she?

-Was she worth it?

This story is going to stay in the news for a while, given that The State will publish the complete epistolary romance tomorrow.

I respect Sanford for at least having been in love with this woman, as the excerpts from the cheesy correspondence strongly suggest.

Extra points because this didn't happen in a whorehouse or a bathroom stall, nor did money, a promotion, or a relative appear to be involved. This is so normal I almost feel bad for the schmuck.

Much more than a sad cheating story here, though, because Sanford is guilty of a total dereliction of duty. As Chalky said, he just doesn't care about governing. Time for Sanford to look in the mirror, and leave his job, and maybe his wife too.
votes 4 Helpful / 0 Funny / 3 Agree / 0 Disagree

12 days ago

Missing for four days now. My guess is that he took Obama's stimulus money and is now spending it on hookers and coke.
votes 1 Helpful / 2 Funny / 1 Agree / 0 Disagree

23 days ago

Every few years or so, I go on a Sonic Youth kick, and I listen to several of their albums enjoying every last guitar lick, and then somehow I can't bear to listen to them anymore because they've gotten to sound pretentious to me. For the last few months I've gotten hooked on SY again, and I keep coming back to Murray Street (2002). I still remember how great it was, several months after 9/11, to get a relatively soft-spoken album from the greatest NYC band. They named it after the small street where the studio they'd been using since 1996 was located. That studio was in the shadow of the World Trade Center. So I can imagine the band hunkering down among all the rubble and debris and putting together a humbler, much less pretentious album than they usually like to make. They get down to what really matters -- Kim and Thurston's kid even appears on the front cover. The result is some songs where they sound more like Pavement than on any other album, especially on "Disconnection Notice." The highlight for me, though, is the un-Pavement-like "Rain on Tin," which is mostly instrumental, and almost orchestral. The lyrics on some SY album can get grating, but not here. Great album.
votes 2 Helpful / 0 Funny / 1 Agree / 0 Disagree

34 days ago

This song always cracks me up. Here's an obscure singer from Maryland who manages to sneak a song about statutory rape into the hearts of middlebrow America. In fact, he did it twice -- the song was a hit in 1980, and was then "re-discovered" in 1989, when it once again charted. It has the creepiest opening lines I've ever heard, but the words are delivered with such painful sincerity that people probably didn't pay much attention:

She's just sixteen years old
Leave her alone, they say


He goes on to sing about taking her into the night to "show you a love / Like you've never seen, ever seen." The presumption of innocence on the part of the girl is almost old fashioned. Sixteen-year-olds nowadays have probably seen a lot. And there's some very pretty lines: "I can't measure my love / There's nothing to compare it to."

Yet it's hard to forget that this is about statutory rape. Keep in mind, it's not a seventeen-year-old male singing this -- the voice is definitely mature and adult, talking about a fantasy that he knows is forbidden.

Hey, illegal romance happens all the time, and it's part of our culture. But it's usually just implied, as in all the oversexed teen female singers. This is different, because it's a ugly, horny adult male telling us about his forbidden fantasy. I almost admire the guy for getting something so creepy into the adult-contemporary rotation.
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

34 days ago

Hey, that's cool. The music in Boston stores is stuck in 1986. On the last shopping trip I heard Benny Mardones's "Into the Night" twice. Maybe if I went to some of the hipster stores like Newbury Comics the music would be better, oh well.

34 days ago

For fear of sounding repetitive because I've said this before, this is the best album of the '70s and possibly of all time. I've listened to this so many times that it's hollowed out a space in my brain. There's none of that artificial drama that you get in most music of that time -- all the drama is in the two guitar lines, which swirl and interact in ways impossible to describe. And that's without even saying anything about the brilliant Symbolist lyrics. Tom Verlaine's voice would improve over the years, but here it's a choked warble that grows on you.
votes 4 Helpful / 0 Funny / 0 Agree / 0 Disagree

34 days ago

The only solo album of Reed's I know, but one I listen to every so often. The first side is brilliant, with "Perfect Day" being a clear standout. The songs shuffle along amiably, but there's some serious menace beneath the slow tempo. You could be forgiven for mistaking this for a Leonard Cohen album. I agree that I don't see the glam thing here either, other than on the album cover.
votes 4 Helpful / 0 Funny / 0 Agree / 0 Disagree
By the Numbers