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Independent

Sometimes big-budget Hollywood films just aren't slow and atmospheric enough. If you crave indie, this is the place to review all things related to independent films.

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9 days ago

Primer is almost frustratingly confusing, but that's part of what makes it brilliant. Taken simply, Primer is a story about time travel, but the story's approach to this concept paired with its engineer protagonists completely breaks the mold of most stories on the same subject.

Instead of your standard tale of a grandiose and haphazard time traveler attempting to change all of history, They are methodical and obsessive, using it basically as a rewind button . They manipulate events in a very granular and scientific way by recording every conversation and making slight adjustments until they get things right.

Watching this develop is a bit of a mind-fuck, but utterly fascinating nonetheless. As an added bonus, the color in the film is gorgeous, the director brings a moody richness to the film's stark environments in an impressive way.
votes 5 Helpful / 0 Funny / 2 Agree / 0 Disagree

16 days ago

The Transformation of Gerald Baumgartner (2009) is a tremendously quirky dark comedy wrapped up in the blanket of life (or better yet, an afgan with those annoying holes your toes poke out of). Gerald (Randall Malin) is an uptight man, seeminly with obsessive-compulsive disorder, that leads a very structured life as a Change Management Consultant for Smith Jakari.

He meticulously washes his toupee with a toothbrush each morning while learning how to speak with an Indian accent to sound more powerful; he makes his side of the bed while his wife is still sleeping and lays out his clothes for the day. Then it's off to the kitchen where he individually wraps cookies in bakers paper for his lunch.

Gerald heads off to a meeting with a new client, pulling a name plate out of his briefcase and speaking slowly about what a reason to change could be and asking what their reason is. Back at his office, after putting his name plate down, he lines up his model airplanes on his desk with a ruler and pulls out his organizer. One of his most exciting things in his life is that they added a third column to the organizer that revolutionizes organization and planning. He awkwardly calls Tom into his office to share his dream about Sara (office employee); she advanced at him and his is extremly proud to have warded her off...in his dream. You can see it in his eyes that he wonders what if he didn't resist; the change has begun.

At another meeting with his client he is introduced to Christiana (Melissa Fischer). She is an outgoing vibrant beautiful women that makes eye contact with him. After her sensual presentation about making technology more personal by embracing it and using adds that show nude people pressed against it, she whispers in his ear (because he liked it), saying you are the most real person in the room. These events set him off day dreaming; inventing a kiss that accompanied the whisper and becoming intrigued with her. He decides to call her and leave a message and send her a follow up email to meet up - yes, the odd creepy married office guy is asking her out for some ice cream.

He begins planning his meeting with her while compromising his work and home life. A spark for life begins to build when she accepts and while on a trip to his in-laws he snaps a little at his wife, Adrian (Carolyn Koskan), and kids for singing because he is planning his Saturday park outing with Christiana. Because she loves to paint cats he plans an event involving a cat that will make him look like a hero; it doesnt go down as planned. The are seemingly getting close and he is hopping to be with her, but first must get his wife to leave him. He starts trying to coax her into doing extra activities with men he knows to set her up so that she will leave him. His obsession with her grows out of control with more misteps and miscues leading up to a big change for him.

8 out of 10 - Beautifully rich cinematography accompanies excellent writing and direction by Clain Udy. Randall's (Gerald) performance was exceptionally uncomfortably odd (on purpose!). This is a fun movie but also shows what happens when you think you want a change in your life; and that life, no matter how planned, is unpredictable.

Dain Binder
http://www.dainsmoviereviews.com/2009/11/transforma tion-of-gerald-baumgartner.html
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

19 days ago

The Iron Boy (2006) is a gem of a short film from Australia. This eerie and dramatic film is wonderfully shot with dark undertones, and the spooky soundtrack compliments it perfectly. It stars Rebecca Cole and Peter Anderson and was created by Swingtime Creative.

A grieving mother forages in a junk yard for scraps of metal that she carries home little by little in her basket. Her lover pushes her to let go of their son that passed away but she can not; especially with the neighbors new child. As he sleeps, she slips outside into the shed to put the pieces together she has retrieved. As her delusionary obsession grows her husband's anger overflows when he finds the iron boy. The complete film is available below.

Watch the full film at: http://www.dainsmoviereviews.com/2009/11/iron-boy-film-review.html
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

82 days ago

Beautiful, beautiful Paris. This is an anthology of shorts where 20 film-makers had five minutes each to create their bit around a certain parts of the city, which turned out 18 short-stories. Most of these are quite art house (perhaps explicitly through Christopher Doyle's segment, which is without a doubt the most experimental) and at the same time reminiscent of François Ozon's way of telling a story. Comedy, tragedy, simple stories and complex tomes are unveiled, sometimes only to give way to a start, or an ending of something. I loved "Père-Lachaise" the most, where a couple enter the most famous cemetery in the world and argue. Even though the anthology, as a whole I feel, is surrounded by death and loss, the concept of life is vested throughout. A very recommendable film.
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

89 days ago

Review Icon edt4 reviewed Score in Independent Film:
I bought this movie believing that it was a low-budget but essentially straight-forward drama from the early 70's, which it isn't. It is low-budget, and it is from the early 70's, but it's basically a soft-core porno movie...a bi-sexual one at that. What prompted me to buy it was the fact that Lynn Lowry, a beautiful and talented cult actress who appeared in some great...or at least enjoyable...films ("Shivers", "The Crazies", "I Drink Your Blood", etc.), was the "star". I've always had a "crush" on Lowry. Too, I had just finished a biography of Cal Culver aka Casey Donovan, a gay porno actor who died of AIDS and had a long-term affair with author Tom Tryon (who wrote "The Other" and "Harvest Home"), and it said in the book ("Boys In The Sand: Casey Donovan, All-American Sex Star" by Roger Edmonson) that "Score" was Culver's attempt to break into legitimate film. So I decided to give it a try, without really being aware that director Radley Metzger was essentially known for soft and hard core porno, and only soft and hard core porno.

Set in Croatia, the plot basically concerns a jaded American couple attempting to seduce another more naive American couple. In other, more competent hands, it might have been a worthy project reminiscent of "Who's Afraid of Virginia Woolf?" Instead, the characters are horny, unconvincing caricatures, and all that's missing is the guy delivering pizza (although there is a phone repairman). "Score" originated as an off-Broadway play, and the star of that play, Claire Wilbur, recreates her role for the movie (she's very attractive, and seems as if she might actually possess talent; sadly, she died in 2004 of lung cancer, known primarily for her performance in "Score"). Gerald Grant, supposedly a descendant of Ulysses S. Grant, is her husband, although his character acts as if he'd rather be married to Culver (Ulysses must have been rolling over in his grave when the film got released). Culver and Lowry play the naive couple who are pretty easily, and idiotically, seduced. Wilbur and Lowry do their best, but the dialogue and the situations are ridiculous, and seem as if they were dreamed up by a hack writer of pornographic paperback novels rather than an off-Broadway playwright. Culver, sad to say, couldn't act his way out of a paper bag. If this was supposed to be his attempt to break into "legitimate" film, it's easy to see why he ended up back in hard-core porno. (Both Culver and Grant died in real life of AIDS.)

The sex is soft-core (although there is supposed to be a hard-core version of this film floating around) but if you're uncomfortable with homosexuality, you should probably stay away from the film. I didn't necessarily mind seeing Wilbur and Lowry rolling around together in the nude, but, while I'm not a homophobe, I didn't really need to sit through the same kind of scenes with Grant and Culver. And there are a lot of those scenes. I suppose "Score" can be watched as a cinematic relic from a more carefree time (before AIDS made sexual adventurism such a scary proposition). Other than that, though, the film has little value. Its "drama" is pretty preposterous, and in sexual terms, it's less than titillating. Basically, "Score" is a boring "Sexploitation" film that has little to recommend it to either a heterosexual or a homosexual audience (I don't think bi-sexuals will find it worthwhile either).
votes 3 Helpful / 0 Funny / 0 Agree / 0 Disagree

122 days ago

Memento it's a awesome movie the narrative of the movie, the cast, the story. One of the movies that everybody can see
votes 0 Helpful / 0 Funny / 0 Agree / 0 Disagree

201 days ago

A young man is released from prison following ten years of incarceration for his involvement in killing a ten-year-old girl. A supervisor aids him in surviving in the outside world, of which he knows surprisingly little, yet this doesn't help much as media condemns him as a monster (the favourite term English tabloids use when describing children who kill) and desperately tries to find him. Even though I think this film is needed, I also think it is more evidently than eloquently written, not allowing what I think would be letting the viewer think for her-or-himself using more subtle methods, thus letting in more breadth and humanity. To its strength, the film is very well-played, has excellent Kubrick-esque cinematography (just see the courtroom imagery and I think you'll see what I mean) and is singular in more ways than one. It is interesting to see that while adults who kill children are often - in the USA, according to report from the documentary "When Kids Get Life", viewable for free - children are often utterly condemned, as is the famous case with Mary Bell.
votes 2 Helpful / 0 Funny / 0 Agree / 0 Disagree

224 days ago

I wasn't overly impressed by it. Maybe it was my inability to overcome my prejudice about films based on "graphic comics" or that look like they were based on "graphic comics." I used to be more impressed by Morgan Freeman than I am now; it seems as if he pretty much plays the same role from film to film-- he's well on the way to becoming the James Earl Jones of the 21st century...I suppose the next stop is to start doing TV commercials (which he may already be doing). Brad Pitt I was never impressed by as an actor; I remember him trying to act in this film (in the final scene, where, if I remember right, he's called upon to display intense, roiling emotion), and not succeeding. Undeniably, Pitt is a pretty guy; then again, Montgomery Clift was a pretty guy who could act up a storm. Kevin Spacey is a very good actor, but he's only in the film for a few minutes. And Gwyneth Paltrow is pretty in a bland sort of way, but I never thought she could act her way out of a paper bag. Even when she's touring Spain for PBS, where she's not supposed to be acting, she can't act her way out of a paper bag. If you're into serial killer movies, this may prove diverting for you, but it's far away from being a classic. Maybe a classic "graphic comic".
votes 6 Helpful / 2 Funny / 4 Agree / 0 Disagree

229 days ago

Visually, this film is interesting. Light is literally thrown in a way, together with cinematography and an alluring introduction before the titles, that had my hopes up at the start, but then - a b-movie is a b-movie is a b-movie, no matter how much spectacle is seen. This film surrounds the life of Albert Fish, one of the most well-known serial-killers in the world. Active around the start of the 20th century, Fish's life is hastily and blurry dealt with before before he started killing children at an old age. This film is based upon two tracks: Fish's life and that of William F. King, lead investigator of the case. What saves this film from becoming a Hallmark spectacle and debacle of the usual sort, whenever films about serial killers are concerned, is the direction, which is a double-edged sword; director Scott L. Flynn sheds focus enough upon the b-actors not to let their flaws shine through too much, but at the same times created a truly dull and stereotypical view of the American police through the King-angle. Sure enough he dealt quite thoroughly with Fish's meet with Grace Budd, the 10-year-old girl that he killed, even though I'm not really sure if her mother was the media-crazed person that Flynn really tries to emphasise that she was. I miss more psychological diving into Fish, not to mention the very little time which was spent on Fish's post-capture. All in all, interesting for those who are into serial-killers, but mostly a let-down; however, if the director will make another film about another serial-killer, I'd definitely see it in hopes that holes were patched-up.
votes 3 Helpful / 0 Funny / 0 Agree / 0 Disagree

257 days ago

I met real life hero when he came to my school a few years ago, it was a classic tale of genocide, such a good movie and powerful message. Would rate 10 stars.
votes 0 Helpful / 0 Funny / 0 Agree / 0 Disagree

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