It should really be called "The Bicycle Thieves," based on De Sica's original Italian title. It's an important distinction, and it actually affects the meaning of the piece. It's a shame how that translation was butchered, irreparably at this point. It's about "thieves," about a time in Italy in which you did whatever you had to do to survives. Thieve stole from thieves. It's a beautiful, human and ultimately sad story about the hard/cold reality of the day. De Sica was the ultimate neo-realist (in my opinion) and this film, along with Umberto D, is his greatest masterpiece. Lamberto Maggioriani is wonderful as the sensitive anti-hero. If you haven't seen Ladri di biciclette... it's a classic and a must-see... one of the greatest films of the 20th century.

A simple story about a man whose livelihood depends on his bicycle, which is stolen. With the help of his son, he attempts to retrieve it, only to get in even more trouble. Despite its simple premise and low budget, The Bicycle Thief is a true masterpiece. It inevitably shows up on any list of the top 100 films; it is often nominated as the best Italian film ever made. The movie is of some historical interest too: The abysmal poverty prevalent in much of post-war Europe is well-depicted here.

Good film that illustrates morality and faith. Should be seen by any Christian who likes foreign cinema.

An exquisite film. Complex simplicity.

touching in its simplicity. a must.

This is a really entertaining and thoughtful movie. I was surprised how well it held my attention even though I had to rely on subtitles.

One of the all time greats! THE BICYCLE THIEF is a film you simply cannot help but enjoy, even if you're afraid of subtitles. The visuals are poignant, poetic and touching. The picture is also one of neorealism's crowning achievements (and certainly DeSica's finest work). Anything less than 5 stars would be a sin.