I purchased this book for myself after finding Amazon's price to be the best deal out there. It is beautiful and thorough. Sister Wendy covers every major time period with overviews of the most significant artists while including comments and close up studies of specific works. This book could easily be an art course in itself- it is comprehensive and the illustrations are just what you would expect of a DK book- beautiful and with accurate, vivid color. Sister Wendy writes in a readable layperson's style; you need not be an art student to enjoy this book. It is easily my favorite buy of the year- you will LOVE this book!

The first purpose of an artbook is usually to showcase fine art with high quality reproductions. This book certainly packs in ample artwork, well supported by Sister Wendy's colourful commentary. However the image quality is horrendous, with a vast proportion of the reproductions being badly pixelated or blurred.If you like Sister Wendy, then buy her other books. This one is so sloppy that it is disrespectful to the artworks and is to be avoided.

A 1¼ inch thick book with about 400 pages and more than 450 color illustrations of the most significant works of art in Western history can hardly fail to please anyone with an interest in art history. In Sister Wendy's Story of Painting, Sister Wendy provides an intellectual and somewhat passionate discussion on major art movements and sensitive analysis and interpretation of more than thirty paintings she showcases in the book. Enlargements of particular areas of these paintings are used to analyze techniques and identify symbolism. In the absence of ancient paintings that have survived, Sister Wendy uses other forms of art such as sculptures, friezes, tapestries and mosaics to illustrate the subject, composition, style and proportions used in paintings of that era. She treats all styles of art with equal reverence. Shortcomings in this book are few. Illustrated timelines that appear before each major section of the book could be improved by the addition of other historical milestones to help the reader achieve a better perspective. I would prefer less commentary about numerous paintings of a single artist and instead, more information on the cultural and political influences that shaped the development of painting. I would prefer less coverage of obscure artists such as the Nabis in favor of more on Victorian art and Art Nouveau. And I would wish for a more eloquent conclusion to the book. But the thing that was most lacking to me is a discussion on paint! Nowhere is the development of paint as a medium discussed with any depth. These aforementioned shortcomings, however, pale in comparison to what Sister Wendy has accomplished in her book -- the creation of a comprehensive and scholarly source of information on the history of painting that neither the newcomer nor the expert could fail to enjoy.

How bizarre...
...and yet, how wonderful. Who would have ever thought that a nun going through the museum would have (a) been interesting, (b) been publishable, (c) been television-worthy, or (d) been within the realm of credible imaginings? And yet, here is the proof, on my coffee table. Sister Wendy's smiling face, next to a scowling Vincent, greets me each day with my morning cocoa.

This is a book to be savoured. It cannot, like the morning cocoa, be rushed and enjoyed. This must take time. Not because the text is dense or confusing--indeed, it is not. It is lively, witty, historical, accessible, all that one could want in a book on art.

But, mostly, it is exquisitely visual in layout. Everything is photographed and reproduced in stunning colour and low-gloss format to make the pages vibrant and durable yet easily seen. Care has gone into the production of this volume. None of the art is reduced to black and white, but rather presented in glorious colour. With over 800 images in under 400 pages, this is a feast for the eyes. Each page is dominated by art, not text. That makes for slow moving, like reading a museum.

Sister Wendy Beckett takes us on an historical tour of painting (in the European theatre of history), beginning with prehistoric cave-art and drawings, leading up to modern and post-modern artists.

She takes representative pieces, such as the Bosch painting of Death and the Miser to illustrate points of colour, detail, composition, and story. Some paintings have complex stories (such as this one), others have simple composition (such as the 'innocently disadvantaged' Mona Lisa) which give endless speculation as to the meaning.

Sister Wendy explores each era of artistic history, listed below in broad categories (there are several subcategories of each), giving history and philosophy as well as major and representative minor works, explaining in detail at least one or two works for each, concentrating on painting, but also bringing in as relevant sculpture, stained glass, architecture, and other artistic media.

+ Art of the Ancient World
+ Gothic Painting
+ Italian Renaissance
+ Northern Renaissance
+ Baroque and Rococo
+ Neoclassicism and Romanticism
+ The Age of Impressionism
+ Post-Impressionism
+ The Twentieth Century

Sister Wendy does an admirable job at not concentrating exclusively on religious and Christian art (for being a nun), however, given the history of art in Europe, this is a major theme in its own right.

The Epilogue, says Sister Wendy, 'is both an afterword and a foreword: hundreds and thousands of artists come after the disappearance of the 'story line' into the maze of contemporary artistic experience and these same artists may of course, be the forerunners of a new story.' In concluding her volume, she highlights the paintings of Robert Natkin, Joan Mitchell and Albert Herbert, the art of each she hopes will endure.

I am very excited about using this book to study art with my children. The photos are top quality, showing close ups of interesting details in the paintings. I have a collection of art books, but this is by far the best. Worth every penny!