 | ma duron (63)
09/14/2005 | It took Hollywood more than a couple of decades to find for him a niche portraying dependable characters motivated by a basic sense of decency, not unlike those assigned before to James Stewart (i.e., 'Anatomy of a Murder').
Waterston could always be relied upon professionally to make memorable appearances as an unscrupulous villain ('Heaven's Gate'); a politician turned legal advocate ('Assault at West Point'); a sensitive observer of a doomed romance ('The Great Gatsby'); a conscientious journalist ('The Killing Fields'); a denizen of the Woody Allen demi-monde 'Interiors';
'September'; 'Hannah and her Sisters'; 'Crimes and Misdemeanors'), etc.
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