As stated in '2007's Dead Celebrities':
The artist as a motion picture dramatist. Few artists in other creative fields (with the brush upon canvas or pen on paper) will rarely accomplish much to their own satisfaction. In the movies, Bergman, constantly growing and exploring, was able to do better than most. Not an epic-maker, a crowd pleaser or, (God-forbid) a born humorist, brought to his movies an uncompromising honesty regarding existential concerns, well beyond anything that Fellini, Buñuel, Hitchcock, Ford, Kurosawa and Antonioni were able to achieve.
Despite personal and financial controversy, the unique opportunity allowed him as adirector in television, the radio, theater, the opera and the movies, was not lost among his admirers. Landmark movies such as 'The Seventh Seal,' 'The Virgin Spring,' 'Wild Strawberries,' 'Through a Glass Darkly,' 'Persona,' 'Cries and Whispers,' 'Scenes From a Marriage,' 'Autumn Sonata,' 'Fanny and Alexander,' 'Saraband,' etc., are indispensable cinematic experiences.
Few compared and, upon his demise in 2007, those of us who were impacted by him will have to make the best of not ever having the likes of him around.
http://www.bergmanorama.com/ is a fascinating site for becoming reacquainted with his work, with his collaborators and testimonies to his legacy, warts and all. Here, the 'site updates' and the 1976 interview with Sven Nykvist, Bergman's (and sometime Woody Allen's) cinematographer now also deceased, is one of the most insightful and honest asessments that any collaborator may have given about the art of a motion picture creator. http//www.bergamnorama.com/films/face_to_face_nykvist.htm
Don't know that I'll ever discontinue commenting Bergman's place and contribution to that rara avis of contemporary art: the art of moviemaking as a means of self-expression.